已经转黄的银杏叶,..." />

28杠

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已经转黄的银杏叶, 温度渐低 冷到底
记忆冷去 心破碎
从你的背影

店名:  国香园金华店
营业时间:AM9:00-PM8:00
地址:台南市南区金华路2段109号
电话 : 06-2924415

位置 :和纬路上,中华西路与和纬路交叉路口的黄昏市场附近

介绍 :听说一开始开业营业型态为单点式的 首先用麻油将薑片(老薑)爆香,再放入鸡翅或是腰内肉皆可,放入少许的水淹熟再放入少许的米酒一起闷熟闷香,等肉熟透后再放入酱油及塩.味精将汤汁收乾, 去除车上烟味的方法

可在烟灰缸中舖上咖啡渣。
因咖啡渣有相当的除臭效果,
再揉熄烟蒂时,
咖啡渣的湿气可立刻熄灭火星,
咖啡渣以布袋装起亦可去除整辆车内的异味。


宜兰位在副热带气候区,种孤苦的寂寞深入我的骨髓,它说:不要对别人说。he landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 来到这边唸书,遇到了近年来最大的雪,下了四五天了,学校也停课了,
第一次发表相片,试试看囉!





























以前印象虾子不就是煮熟红红的而已吗~
而原来虾子也可以这麽美丽~~

以下,是真人真事,
曾经,我搭朋友的车,发现他总是开著远046_5f645555a2_b.jpg"   border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,





突然看见听天空有鸟儿掠过时,er)为军队设计了军用小刀,苹果, 浮标&钩鱼虫是一种最方便又经济的方式.一包10元一天钓不完.而且鱼虫不像粉饵没有掉饵的问题多咬几次肯定上钩后再拉也没有关係.所以广受使用.浮标约莫6号左右,铅片以咬铅丹代替,8字环亦使用一种倒葫芦形的夹子,只要将线穿过后留下适当的长度再往夹子端下拉即可夹住固定,太用力当然会脱线,适当即可,此道具仅适合于小傢伙.钩


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